Box Office: Spider-Man Struggles in Europe—Scooby-Doo Leads Asia

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Over the weekend, European audiences largely missed the latest cinema releases due to intense World Cup football matches and pleasant weather conditions, which dampened the box office performance of “Spider-Man” and other holdovers. Meanwhile, in Asia, the animated film “Scooby-Doo” emerged as the leading family favorite across its initial markets.

Despite these challenges, Sony’s superhero flick managed to generate an impressive $40.1 million from approximately 7,400 screens spanning 51 countries, marking a new international milestone for the studio. Its global tally now stands at $218.6 million, reflecting strong audience interest worldwide.

However, the film faced some hurdles in the UK, where a controversial age restriction of 12 plus limited the potential young audience. This restriction contributed to a modest opening of $13.7 million across a record 1,129 screens, including $5.1 million in paid previews. Industry analysts noted that this debut ranks as the fifth-largest for a film in the genre, behind “Harry Potter and the Sorcerer’s Stone,” “Star Wars: Episode II — Attack of the Clones,” “The Lord of the Rings: The Fellowship of the Ring,” and “Star Wars: Episode I — The Phantom Menace.”

In France, the film performed well, earning $8.5 million from 901 screens, making it the third-best opening among U.S. releases there, after “Harry Potter” and “Clones.” Turkey also saw a promising start with a $430,000 opening on 84 screens.

The film’s performance in Europe was affected by weather conditions, with Germany experiencing a 49% decline after a lackluster opening that brought in $15.2 million over 11 days. Italy also saw a 59% drop, following a record pre-release that grossed $10.9 million in 10 days. Down under in Australia, where the World Cup is capturing viewers’ attention, the movie’s takings fell by 52%, totaling $10.9 million in 11 days.

Despite these setbacks, the film continues to perform strongly in markets like Japan, where it declined by only 14% in its sixth week and has amassed an impressive $46.1 million. India has also been fruitful, with earnings reaching $4.4 million over four weeks, indicating sustained interest.

The Spider-Man franchise advanced past “Star Wars: Episode II,” crossing $197 million globally after earning $7.5 million over the weekend. Upcoming releases in Japan, Korea, and Latin America are anticipated to further boost its total.

Meanwhile, “Scooby-Doo” achieved notable success in Asia, with a $414,000 debut in Thailand on 92 screens, marking the third-largest opening for a family film in the country, behind “Harry Potter” and “Dinosaur.” In Singapore, the film earned $386,000 over three days on 32 screens, also ranking third among family movies, and in Malaysia, it collected $155,000 in three days on 25 screens.

In Spain, “Unfaithful,” featuring Richard Gere and Diane Lane, topped the box office with $1.2 million from 298 screens. It had a subdued performance in Germany with $1.1 million on 421 screens and in Brazil, where it earned $519,000 from 173 screens.

On the animated front, “Ice Age” collected $1.1 million on 117 screens in Taiwan, including sneak previews, setting a record for an animated film in the country and pushing its total to over $135 million worldwide. The film’s future prospects remain promising as it awaits releases in Japan, Spain, and France.

Conversely, “Bad Company,” starring Chris Rock and Anthony Hopkins, underperformed in its international debut. It garnered only $250,000 in Taiwan from 17 screens, $150,000 in Israel from 32 screens, and $100,000 in Hong Kong on 20 screens, signaling limited global appeal.

Lastly, “Gosford Park,” a sophisticated murder mystery by Robert Altman, found an upscale audience in Germany, earning $365,000 from 98 screens. The film has accumulated approximately $42 million globally, with notable earnings from the UK ($17.8 million), Spain ($5 million), Australia ($4.2 million), and France ($3.8 million). In Australia, “I Am Sam,” distributed by New Line, opened with a solid $641,000 from 95 screens and saw a 13% increase in Japan, reaching $5 million in nine days. The film, starring Sean Penn and Michelle Pfeiffer, has a total international gross of about $22.3 million, still trailing behind its domestic total of $40.2 million, with several smaller markets remaining to be released.

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